{"id":12,"date":"2025-12-18T17:03:03","date_gmt":"2025-12-18T16:03:03","guid":{"rendered":"https:\/\/pythonstudioss.com\/?page_id=12"},"modified":"2025-12-19T23:08:15","modified_gmt":"2025-12-19T22:08:15","slug":"julia-pirotte-piekno-i-sila","status":"publish","type":"page","link":"https:\/\/pythonstudioss.com\/en\/julia-pirotte-piekno-i-sila\/","title":{"rendered":"\u201eJulia Pirotte - Beauty and Strength\u201d.\u201d"},"content":{"rendered":"<div id=\"wp-block-themeisle-blocks-advanced-columns-f5a2b417\" class=\"wp-block-themeisle-blocks-advanced-columns alignfull has-2-columns has-desktop-equal-layout has-tablet-equal-layout has-mobile-collapsedRows-layout has-vertical-unset\"><div class=\"wp-block-themeisle-blocks-advanced-columns-overlay\"><\/div><div class=\"innerblocks-wrap\">\n<div id=\"wp-block-themeisle-blocks-advanced-column-84d01dec\" class=\"wp-block-themeisle-blocks-advanced-column\">\n<h4 id=\"wp-block-themeisle-blocks-advanced-heading-06fe4784\" class=\"wp-block-themeisle-blocks-advanced-heading wp-block-themeisle-blocks-advanced-heading-06fe4784\"><strong>\u201eJulia Pirotte - Beauty and Strength\u201d.\u201d<\/strong> reveals the legacy of a photojournalist erased from official history\u2014yet unwavering in her pursuit of justice, freedom, and dignity.<\/h4>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-columns-cfca5f54\" class=\"wp-block-themeisle-blocks-advanced-columns has-1-columns has-desktop-equal-layout has-tablet-equal-layout has-mobile-equal-layout has-vertical-unset\"><div class=\"wp-block-themeisle-blocks-advanced-columns-overlay\"><\/div><div class=\"innerblocks-wrap\">\n<div id=\"wp-block-themeisle-blocks-advanced-column-f671c705\" class=\"wp-block-themeisle-blocks-advanced-column\">\n<p id=\"wp-block-themeisle-blocks-advanced-heading-89c97f35\" class=\"wp-block-themeisle-blocks-advanced-heading wp-block-themeisle-blocks-advanced-heading-89c97f35\"><strong>Written and directed by:<\/strong> Ewa Pytka<br><strong>Production:<\/strong> Python Studioss<br><strong>Co-production<\/strong> National Film Archive - Audiovisual Institute <br><strong>Film co-financed<\/strong> by Polish Film Institute<br><strong>Co-founded by<\/strong> Ministry of Culture and National Heritage<br><strong>Patronat:<\/strong> Jewish Historical Institute<br><strong>Year of production: 2025<\/strong> 2025<\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-columns-85bb3005\" class=\"wp-block-themeisle-blocks-advanced-columns has-2-columns has-desktop-equal-layout has-tablet-equal-layout has-mobile-collapsedRows-layout has-vertical-unset\"><div class=\"wp-block-themeisle-blocks-advanced-columns-overlay\"><\/div><div class=\"innerblocks-wrap\">\n<div id=\"wp-block-themeisle-blocks-advanced-column-0add7d59\" class=\"wp-block-themeisle-blocks-advanced-column\">\n<p style=\"font-size:15px\">A biographical documentary brings back from obscurity the story of Julia Pirotte (1907\u20132000), a fearless Polish photojournalist of Jewish origin and a resistance fighter in Marseille during World War II. Using her camera as a weapon, Julia documented the French Resistance, the liberation of Marseille, the Kielce Pogrom of 1946, and the World Congress of Intellectuals for Peace in Wroc\u0142aw in 1948.<\/p>\n\n\n\n<p style=\"font-size:15px\">Her younger sister Maria, a resistance courier operating between Paris and Marseille, was arrested by the Gestapo while carrying dispatches for the High Command. Executed by guillotine in Wroc\u0142aw, she cried out to her fellow prisoners as she went to her death: \u201cCourage!\u201d<\/p>\n<\/div>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-column-ccc36918\" class=\"wp-block-themeisle-blocks-advanced-column\">\n<p style=\"font-size:15px\">After decades of silence, in 1980 Julia sent her wartime photographs to France and won first prize at the International Photography Festival in Arles (Rencontres Internationales de la Photographie d\u2019Arles). There she met Jeanne Vervoort-Vercheval, a Belgian feminist and social activist, and Georges Vercheval, the founder of the Museum of Photography in Charleroi, entrusting him with her negatives, while donating the remainder to the Jewish Historical Institute in Warsaw.<\/p>\n\n\n\n<p style=\"font-size:15px\">Filmed in France, Belgium, and Poland, the film features rare and previously unpublished archival materials, offering an intimate and moving insight into the world of Julia Pirotte and the turbulent history she witnessed.<\/p>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-column-87bc101f\" class=\"wp-block-themeisle-blocks-advanced-column\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"696\" height=\"1024\" src=\"http:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/Podplakat-ENG-white-3_small.jpg\" alt=\"\" class=\"wp-image-13\" srcset=\"https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/Podplakat-ENG-white-3_small.jpg 1600w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/Podplakat-ENG-white-3_small-203x300.jpg 203w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/Podplakat-ENG-white-3_small-694x1024.jpg 694w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/Podplakat-ENG-white-3_small-768x1134.jpg 768w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/Podplakat-ENG-white-3_small-1040x1536.jpg 1040w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/Podplakat-ENG-white-3_small-1387x2048.jpg 1387w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/Podplakat-ENG-white-3_small-8x12.jpg 8w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/figure>\n<\/div>\n<\/div><\/div>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-columns-54c1ac8d\" class=\"wp-block-themeisle-blocks-advanced-columns alignfull has-2-columns has-desktop-equal-layout has-tablet-equal-layout has-mobile-collapsedRows-layout has-vertical-unset\"><div class=\"wp-block-themeisle-blocks-advanced-columns-overlay\"><\/div><div class=\"innerblocks-wrap\">\n<div id=\"wp-block-themeisle-blocks-advanced-column-f6c7e00e\" class=\"wp-block-themeisle-blocks-advanced-column\">\n<h5 id=\"wp-block-themeisle-blocks-advanced-heading-10fdae3b\" class=\"wp-block-themeisle-blocks-advanced-heading wp-block-themeisle-blocks-advanced-heading-10fdae3b has-dark-bg\">TEASER<\/h5>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"JULIA PIROTTE - TEASER\" src=\"https:\/\/player.vimeo.com\/video\/1142582187?h=a5d6511b54&amp;dnt=1&amp;app_id=122963\" width=\"1200\" height=\"675\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<h5 id=\"wp-block-themeisle-blocks-advanced-heading-bcad07f0\" class=\"wp-block-themeisle-blocks-advanced-heading wp-block-themeisle-blocks-advanced-heading-bcad07f0 has-dark-bg\">ABOUT CREATORS<\/h5>\n\n\n\n<div id=\"wp-block-themeisle-blocks-accordion-cc4b8b0d\" data-has-schema=\"false\" class=\"wp-block-themeisle-blocks-accordion exclusive no-gap icon-first  is-style-default\">\n<details class=\"wp-block-themeisle-blocks-accordion-item\"><summary class=\"wp-block-themeisle-blocks-accordion-item__title\"><div>Dr EWA PYTKA \u2013 director, screen writer, producer<\/div><\/summary><div class=\"wp-block-themeisle-blocks-accordion-item__content\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"756\" height=\"1024\" src=\"http:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/Dir-EwaPytkaPhoto-by_Anna.Chylarecka-756x1024.png\" alt=\"\" class=\"wp-image-14\" style=\"aspect-ratio:0.7382853615276903;width:217px;height:auto\" srcset=\"https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/Dir-EwaPytkaPhoto-by_Anna.Chylarecka-756x1024.png 756w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/Dir-EwaPytkaPhoto-by_Anna.Chylarecka-221x300.png 221w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/Dir-EwaPytkaPhoto-by_Anna.Chylarecka-768x1040.png 768w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/Dir-EwaPytkaPhoto-by_Anna.Chylarecka-1134x1536.png 1134w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/Dir-EwaPytkaPhoto-by_Anna.Chylarecka-1512x2048.png 1512w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/Dir-EwaPytkaPhoto-by_Anna.Chylarecka-scaled.png 1890w\" sizes=\"auto, (max-width: 756px) 100vw, 756px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Script consultant, journalist, and lecturer at, among others, the Warsaw Film School, the Polish National Film, Television and Theatre School in \u0141\u00f3d\u017a (PWSFTViT), the Shanghai Theatre Academy (Film Department), and the Wajda Master School; poet, vocalist, and art coach. A graduate of Polish Philology at Adam Mickiewicz University in Pozna\u0144, Film Directing at PWSFTiTV in \u0141\u00f3d\u017a, and NSFTV in Leeds. Alumna of EAVE (European Audiovisual Entrepreneurs) 2007 and TRANS ATLANTIC PARTNERS 2012\u2014training programs for European, Canadian, and American producers. She also studied art history, philosophy, and theology. Since 2020, she has held a PhD in Film and Theatre Arts from PWSFTViT in \u0141\u00f3d\u017a.<\/p>\n\n\n\n<p>Owner of the production company Python Studioss since 2006. She is the author of numerous creative documentaries produced for TVP, ZDF, and Arte, including Stefan Chwin \u2013 Archaeologist of Memory (TVP2, 2000); St. Rodzi\u0144ski \u2013 Facing the Truth (TVP1, 1995); The Journeys of Olga T. (Tokarczuk) (TVP2, 1996); Auschwitz \u2013 Descent into Hell; Czes\u0142aw Mi\u0142osz: A History of 20th-Century Literature; and Der Bernsteinwald. Geheimnisse des Baltischen Meeres, created for the prestigious Terra X series for ZDF and Arte (shot in Poland, Estonia, Russia, Lithuania, and Latvia). For the documentary Without Concealment, she was nominated for Woman of the Year 2007 by the editorial team of Wysokie Obcasy. <\/p>\n\n\n\n<p>In 2005, she co-founded the thematic channel TVP Kultura. For the Stanis\u0142aw Wyspia\u0144ski Theatre in Katowice, she directed Klincz by A. S\u0142apowski, based on her own translation. She has directed over 250 episodes of television series, including B\u0119dziesz moja, Plebania, Barwy szcz\u0119\u015bcia, and Pierwsza mi\u0142o\u015b\u0107, as well as numerous Television Theatre productions, such as Winter Under the Table by Roland Topor, Operation Heads (Operacja Reszka), for which she received the Special Jury Award at the History Makers 2011 festival in New York in the category of Best Historical Drama; Breakout by Wojciech Tomczyk (2016); Victoria by Joanna Murray-Smith (2017), which won the award for Best Female Role for Maria Pakulnis at the Two Theatres Festival in Sopot in 2018; and Hell's Bells (2019), based on her own screenplay. <\/p>\n\n\n\n<p>She made her feature film debut in 2010 as screenwriter, director, and producer with Silence Is Golden, which premiered in Cannes, followed by its American premiere at the Stony Brook Film Festival in 2011. From 2011 to 2016, she served as a juror for the Banff World Media Festival in Canada, evaluating the world\u2019s best scripted television series of each year, from Boardwalk Empire to Downton Abbey. She is a member of the Polish Film Academy, Polish Directors Guild, and the Polish Filmmakers Association (SFP), where she serves on the board of the Screenwriters\u2019 Circle.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.filmpolski.pl\/fp\/index.php?osoba=1145624\">POLISH FILM WEBSITE<\/a><\/div>\n<\/div>\n<\/div><\/details>\n\n\n\n<details class=\"wp-block-themeisle-blocks-accordion-item\"><summary class=\"wp-block-themeisle-blocks-accordion-item__title\"><div>KACPER LISOWSKI \u2013 cinematographer<\/div><\/summary><div class=\"wp-block-themeisle-blocks-accordion-item__content\">\n<p>Born in 1972 in Warsaw. A graduate of the Cinematography Department of the \u0141\u00f3d\u017a Film School; cinematographer, screenwriter and director. Director of photography for documentary films including \u201cChemia\u201d by P. \u0141ozi\u0144ski, \u201cThe True End of the Cold War\u201d by J. \u015aladkowski, \u201cYou Don\u2019t Even Know How Much I Love You\u201d by P. \u0141ozi\u0144ski, *\u201cMe, Rosi\u0144ski\u201d by P. Kielar, and \u201cJulia Pirotte \u2013 Beauty and Strength\u201d by Ewa Pytka. His directing work includes the feature film \u201cStacja Warszawa\u201d (Warsaw Station, co-director), his debut \u201cOjcze Masz\u201d produced within the 30 Minutes at Studio Munka program, and the feature-length documentaries \u201cWorld Champion\u201d and \u201cJudges Under Pressure\u201d (nominated for the Polish Film Awards \u2013 Or\u0142y). In 2025, he made his feature fiction debut with \u201cPsoty\u201d (Mischief), scheduled for premiere in January 2026.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.filmpolski.pl\/fp\/index.php?osoba=1124912\">POLISH FILM WEBSITE<\/a><\/div>\n<\/div>\n<\/div><\/details>\n\n\n\n<details class=\"wp-block-themeisle-blocks-accordion-item\"><summary class=\"wp-block-themeisle-blocks-accordion-item__title\"><div>PIOTR CHYLARECKI \u2013 cinematographer<\/div><\/summary><div class=\"wp-block-themeisle-blocks-accordion-item__content\">\n<p>Born in 1991, he studied Management and Sociology at the University of Warsaw, and Production Technology and Product Development at K\u00f8benhavns Erhvervsakademi (KEA) in Denmark. He photographs architecture and landscapes and specializes in optimizing data flow processes within organizations. In film, he has gained hands-on experience across multiple departments, including directing, acting, sound, and cinematography.<\/p>\n<\/div><\/details>\n\n\n\n<details class=\"wp-block-themeisle-blocks-accordion-item\"><summary class=\"wp-block-themeisle-blocks-accordion-item__title\"><div>JAKUB GRZEGOREK \u2013 composer<\/div><\/summary><div class=\"wp-block-themeisle-blocks-accordion-item__content\">\n<p>Born in 1967 in Kalisz, he is an actor, voice-over artist, and composer of theatre and film music. He studied at the State Secondary Music School (double bass class). He is a graduate of the Piano Construction Technical School in Kalisz and the Polish National Film, Television and Theatre School in \u0141\u00f3d\u017a.<\/p>\n\n\n\n<p>He has composed music for numerous theatre productions, including Antigone (dir. E. Herman), The Zoo Story (dir. B. Semotiuk), Richard III (dir. J. Maciejowski), Hamlet (dir. B. Semotiuk), A View from the Bridge (dir. J. Machulski, B. Semotiuk), The Bachelors\u2019 Club (dir. M. Okopi\u0144ski), A Carol for the Whole Year (musical; dir. A. Kopff, J. J\u00f3zefowicz), General Anders (dir. Jan Machulski), Everything in the Garden (dir. H. Machulska), Love Story (dir. M. Pawlicki), Humbug, or Two Elderly Actors (dir. Juliusz Machulski, R. Zatorski), Do Not Lose Hope (dir. H. Machulska), Faust (UK\u2013Polish\u2013German\u2013Spanish production; dir. Ch. Baldwin), Farewell Waltz (dir. J. Machulski, T. M\u0119drzak), The Return of Prze\u0142\u0119cki (dir. H. and J. Machulski), From Time to Time (dir. J. Sutt), The Bankruptcy of Little Jack (dir. H. Machulska), Maiden Vows (dir. J. Machulski), King Lear (dir. J. Machulski), Pinocchio (dir. A. P\u0142uszka), *Winter in Moominvalley* (dir. A. P\u0142uszka), and Tamara (dir. T. Dutkiewicz).\n\nHe has also composed music for feature and documentary films, including Silence Is Golden (dir. Ewa Pytka), Two Roads (dir. Renata Mazur), Breaking the Silence (dir. Ewa Pytka), Devil\u2019s Patrol (dir. Urszula Urbaniak), Girls (dir. Ma\u0142gorzata Brama and Rafa\u0142 Skalski), Breakout (Television Theatre; dir. Ewa Pytka), Love After Nine (Television Theatre; dir. \u0141ukasz Zadrzy\u0144ski), Victoria (Television Theatre; dir. Ewa Pytka), The Treasures of King Midas (Television Theatre; dir. Tomasz Szadkowski), Hell's Bells (Television Theatre; dir. Ewa Pytka), and Julia Pirotte \u2013 Beauty and Strength (dir. Ewa Pytka), as well as several hundred commercial films.\n\nHe has collaborated with numerous recording studios (as a voice-over artist, musician, and composer) and film studios, as well as with theatres, orchestras, chamber ensembles, folk groups, choirs, vocalists, and rock, jazz, and pop bands. As a composer, he has worked with directors including Ewa Pytka, Agnieszka Gli\u0144ska, Urszula Urbaniak, \u0141ukasz Zadrzy\u0144ski, Marcin Zi\u0119bi\u0144ski, Jan Machulski, Micha\u0142 Zab\u0142ocki, Maciej Dejczer, Juliusz Machulski, Ryszard Zatorski, Dariusz Kuc, Chris Baldwin, \u0141ukasz Ko\u015bmicki, Wojciech Smarzowski, Micha\u0142 Pawlicki, Janusz J\u00f3zefowicz, Marek Okopi\u0144ski, Jacek Sutt, Artur Reinhart, Filip Bajon, Andrzej Sawczuk, Tomasz Szadkowski, Mariusz Grzegorzek, Maciej \u017bak, Witold Iwaszkiewicz, Marek Dawid, Paul Barker, Rafa\u0142 Lewandowski, Jan Hryniak, Tomasz Dutkiewicz, Witold Soboci\u0144ski, Jan Maciejowski, and others.<br>He is a member of ZAiKS, ZASP, and KKMF (the Circle of Film Music Composers).<\/p>\n<\/div><\/details>\n\n\n\n<details class=\"wp-block-themeisle-blocks-accordion-item\"><summary class=\"wp-block-themeisle-blocks-accordion-item__title\"><div>WIKTOR ZMYS\u0141OWSKI \u2013 editor<\/div><\/summary><div class=\"wp-block-themeisle-blocks-accordion-item__content\">\n<p>Film editor and documentary filmmaker, a member of the Polish Filmmakers Association. He specializes in editing documentary films and short-form works, and has worked, among others, for TVP Dokument, Polsat Rodzina, and cultural institutions such as TR Warszawa, Teatr Komuna\/\/Warszawa, and the Zbigniew Raszewski Theatre Institute. He is the author and co-author of documentary films and audiovisual materials for theatre. He worked on the multimedia layer of the performance *\u201cOther People\u201d* (TR Warszawa), which received the award for Best Multimedia at the Boska Komedia Festival 2019, and is a recipient of the \u201cCulture Online\u201d (*Kultura w Sieci*) grant from the Ministry of Culture and National Heritage.<\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-column-14f08773\" class=\"wp-block-themeisle-blocks-advanced-column\">\n<h5 id=\"wp-block-themeisle-blocks-advanced-heading-b1411934\" class=\"wp-block-themeisle-blocks-advanced-heading wp-block-themeisle-blocks-advanced-heading-b1411934 has-dark-bg\">FILM'S CREW<\/h5>\n\n\n\n<p id=\"wp-block-themeisle-blocks-advanced-heading-66ffd8ef\" class=\"wp-block-themeisle-blocks-advanced-heading wp-block-themeisle-blocks-advanced-heading-66ffd8ef\"><strong>Lenght<\/strong> 80 minutes 29 seconds<br><strong>Format:<\/strong> 16:9 DCP<br><strong>Production:<\/strong> Python Studioss Ltd.<br><strong>Co-production<\/strong> National Film Archive - Audiovisual Institute<br>Funded by the Ministry of Culture and National Heritage.<br>The film is co-financed by the Polish Film Institute.<br><strong>Patronat:<\/strong> Jewish Historical Institute<br><strong>Year of production:<\/strong> 2025<br><strong>Written and directed by:<\/strong> Ewa Pytka<br><strong>Cinematographer:<\/strong> Kacper Lisowski, Piotr Chylarecki<br><strong>Sound:<\/strong> Piotr Chylarecki<br><strong>Editing:<\/strong> Wiktor Zmyslowski<br><strong>Sound design:<\/strong> Michal Jankowski<br><strong>Music:<\/strong> Jakub Grzegorek<br><strong>Opening title animation:<\/strong> Izumi Yoshida<br><strong>Color correction:<\/strong> Milena Wielgo<br><strong>Production Manager<\/strong> El\u017cbieta Majdosz<br><strong>Executive Producer:<\/strong> Krystyna Pytka<br><strong>Producer: <\/strong>Ewa Pytka<br><strong>Appeared:<\/strong> Jeanne Vervoort-Vercheval, Georges Vercheval, V\u00e9ronique Vercheval<br>Gr\u00e9goire Georges-Picot, Charlotte Doyen<br>Andrzej Bia\u0142ek, Anna Beata Bohdziewicz, Urszula Fuks, Teresa \u015amiechowska<br>Jakub Ma\u0142ek and others<br><strong>Polish lectors:<\/strong> Anna Radwan, Maria Pakulnis, Jakub Grzegorek<br><strong>French lectors<\/strong> Elisabeth Duda, Laure Dabo, Rafael Lewandowski<br><strong>Poster:<\/strong> Anna Chylarecka<\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-columns-1b4a7e8b\" class=\"wp-block-themeisle-blocks-advanced-columns alignfull has-1-columns has-desktop-equal-layout has-tablet-equal-layout has-mobile-equal-layout has-vertical-unset\"><div class=\"wp-block-themeisle-blocks-advanced-columns-overlay\"><\/div><div class=\"innerblocks-wrap\">\n<div id=\"wp-block-themeisle-blocks-advanced-column-619aa902\" class=\"wp-block-themeisle-blocks-advanced-column\">\n<h5 id=\"wp-block-themeisle-blocks-advanced-heading-372abcb5\" class=\"wp-block-themeisle-blocks-advanced-heading wp-block-themeisle-blocks-advanced-heading-372abcb5 has-dark-bg\">PHOTOS FROM THE FILM<\/h5>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-2 wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1440\" data-id=\"53\" src=\"https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/JULIE_PIROTTE_Kacper_Lisowski_LaLouvier_Jeanne-Vervoort_Vercheval_300dpi-1-scaled.png\" alt=\"\" class=\"has-border-color has-nv-site-bg-border-color wp-image-53\" style=\"border-width:40px\" srcset=\"https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/JULIE_PIROTTE_Kacper_Lisowski_LaLouvier_Jeanne-Vervoort_Vercheval_300dpi-1-scaled.png 2560w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/JULIE_PIROTTE_Kacper_Lisowski_LaLouvier_Jeanne-Vervoort_Vercheval_300dpi-1-300x169.png 300w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/JULIE_PIROTTE_Kacper_Lisowski_LaLouvier_Jeanne-Vervoort_Vercheval_300dpi-1-1024x576.png 1024w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/JULIE_PIROTTE_Kacper_Lisowski_LaLouvier_Jeanne-Vervoort_Vercheval_300dpi-1-768x432.png 768w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/JULIE_PIROTTE_Kacper_Lisowski_LaLouvier_Jeanne-Vervoort_Vercheval_300dpi-1-1536x864.png 1536w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/JULIE_PIROTTE_Kacper_Lisowski_LaLouvier_Jeanne-Vervoort_Vercheval_300dpi-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1440\" data-id=\"17\" src=\"https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/JULIE_PIROTTE_Kacper_Lisowski_Marseille_300dpi-2-scaled.png\" alt=\"\" class=\"has-border-color has-nv-site-bg-border-color wp-image-17\" style=\"border-width:40px\" srcset=\"https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/JULIE_PIROTTE_Kacper_Lisowski_Marseille_300dpi-2-scaled.png 2560w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/JULIE_PIROTTE_Kacper_Lisowski_Marseille_300dpi-2-300x169.png 300w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/JULIE_PIROTTE_Kacper_Lisowski_Marseille_300dpi-2-1024x576.png 1024w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/JULIE_PIROTTE_Kacper_Lisowski_Marseille_300dpi-2-768x432.png 768w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/JULIE_PIROTTE_Kacper_Lisowski_Marseille_300dpi-2-1536x864.png 1536w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/JULIE_PIROTTE_Kacper_Lisowski_Marseille_300dpi-2-2048x1152.png 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"1102\" height=\"836\" data-id=\"20\" src=\"https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/J.Pirotte_-Uprising-in-Marseille-1944-4_300dpi.png\" alt=\"\" class=\"has-border-color has-nv-site-bg-border-color wp-image-20\" style=\"border-width:40px\" srcset=\"https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/J.Pirotte_-Uprising-in-Marseille-1944-4_300dpi.png 1102w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/J.Pirotte_-Uprising-in-Marseille-1944-4_300dpi-300x228.png 300w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/J.Pirotte_-Uprising-in-Marseille-1944-4_300dpi-1024x777.png 1024w, https:\/\/pythonstudioss.com\/wp-content\/uploads\/2025\/12\/J.Pirotte_-Uprising-in-Marseille-1944-4_300dpi-768x583.png 768w\" sizes=\"auto, (max-width: 1102px) 100vw, 1102px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full has-custom-border\"><img loading=\"lazy\" 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